Security cameras system

unnington Hall, near Helmsley, is extending a retrospective of work by The Earl of Lichfield, known professionally as Patrick Lichfield, and will open its doors every weekend until December 7.Fifty images, courtesy of Lichfield Studios Limited, are featured, including portraits of the Royal family, football legend Pele and Rolling Stones frontman Mick Jagger. Other styles, from his calendar and advertising work, are also includedLichfield first took to the camera at six-years-old when he snapped The Queen playing in a cricket match against Eton - a photograph which was promptly confiscated by a nearby official.After a seven-year spell in the armed forces, he learned about photography as an assistant in a commercial London studio before starting out on his own in the early 1960s.Demand for his pictures soon followed from the likes of Life and Queen Magazine as well as the national newspapers until he was offered a big break - a five-year contract with American Vogue.In July 1981, Lichfield was appointed official photographer at the wedding of his cousin, The Prince of Wales, and Lady Diana Spencer. He would go on to photograph every Royal Family in Europe.Other notable achievements are his work for the prestigious Unipart Calendar, the British Tourist Authority, regular appearances on television and the publication of several photographic books.At the time of his death in November 2005, Lichfield had been awarded Fellowships of The British Institute of Professional Photographers and The Royal Photographic Society and was a Freeman of the City of London.Simon Lee, property manager at Nunnington Hall, said: 'Our winter weekends can be a great time to visit the Hall. We are delighted to be able to extend the Lichfield exhibition it has been really popular and thousands of people have taken the opportunity to see it while it has been here in the north.'The exhibition is open on Saturdays and Sundays from 10.30am until 4pm

Next, the second stage of this Matryoshka-style odyssey.

Here we get our first glimpse of the card, whilst doubling the amount of cardboard on display. Could we just reach in and pluck the card from its nest, slot it into our camera and go out shooting? The answer, predictably, is no, as you can see below:

Onto stage three and we can see that the card is still covered by a plastic lid, with some vacuum formed pits to make sure it lines up and cannot slip, even for a second. That, apparently, is an important feature of plastic packaging inserts. To its credit, SanDisk has made these plastic sections without any sharp edges, so no blood will mar the beautiful matt and gloss black outer sleeve, nor the embossed gold lettering. That is attention to detail

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